Boiling Beast Bloodline
Chapter 590 - 124: Deadly _2

Chapter 590: Chapter 124: Deadly _2

If the previous "Holy Purification" was just a suspiciously close resemblance, then this "Sacred Elimination" sacred song has completely proven the faintly worrying fact in Liu’s heart.

Most of the syllables of this "Sacred Elimination" sacred song are ethereal and vague, unable to be confirmed. However, the clear pronunciation of the ancient elvish notes at the end is exactly the same as the "Alina’s Banishing Song" in the Bimon War Song!

All of the shamans are well versed in the war songs. There’s no chance they couldn’t identify it. However, before the two Scepter Shamans could wrap their minds around the complexity of the situation, Liu had already figured it out. This so-called sacred song was just a slightly mumbled, vague version of the Bimon War Song!

That’s how the Hippo Bards sing. According to their professional terminology, this singing method is called hiphop chanting. It’s just that the church’s sacred song is even more ethereal. Without that final note, Liu wouldn’t be able to confirm it.

Although humans and Beamons have not frequently interacted throughout these years, the Bimon Temple does still have some elementary expositions about the sacred songs of St. Paul Church.

Liu silently compiled his knowledge and formulates a general idea. If the sacred songs and the Bimon War Songs differ, it seems that not all the St. Paul Church’s sacred songs offered are pirated versions of Bimon War Songs. Commonly referred to as the "Angel’s Twelve Tones", there are only twelve sacred songs in total, which seems to be fewer than the Bimon War Songs. Besides the Banishment, Antidote, Endurance, and Blessing - which can be found in both, a majority of the war songs have been abandoned and new originals have been introduced into the sacred songs. One such example was the "Voltaic Purification" performed by the young nun as well as the "Holy Blessing" and "Sacred Restoration" which she isn’t able to use yet, none of these could be found in the Bimon War Songs.

Liu also toyed with creating original war songs, but he was purely improvising. Strictly speaking, his self-created war songs - just like Helen’s - were following the "Natural Evolution" process. They naturally came to a realization when the situation demanded, a classic sign of genius shamans. The Beamons being natural soul singers is anything but odd.

So what are the Human’s sacred songs? A mix of Mank tribal shamans custom-created war songs?

Although all the shamans knew that humanity evolved from the Mank primate tribe, including the current temple elites, no one ever suspected that the sacred songs used by the St. Paul Church were largely plagiarized from Bimon War Songs. Both sides kept their knowledge about the Heigar War incredibly vague. It’s practically impossible to find substantial documentation from that era now. According to the news, Deshang got from Shaman Wei An, a very few Mank shamans did leave the Meng Kingdom back then. Right now, among the humans, there was no longer anyone with the divine position of altar shaman. In theory, the role of the shaman shouldn’t have disappeared inexplicably among humans. If you consider the Sacred Songs, this confusion will suddenly become clear.

Liu wasn’t like the slightly dull Pier Shamans, he was rapidly contemplating in his mind. It seemed that those sacred songs like "Holy Purification" and such that had no corresponding or comparable Bimon War Songs were likely the result of innovation or improvement.

Liu felt compelled to admire these humans, their wisdom was truly enviable. Creativity could be said to be humanity’s most admirable trait. Their talent for deriving multiple ideas from a single concept in the field of magic has been proven, and it was surprising to see that they’ve followed the path of improvement and creation in the sacred songs, or the war songs, prompted by the sacred songs.

In the Bimon Kingdom, Mourinho, the shaman leading the path in innovation, was the most talented individual in the last thousands of years. Even he had a tough time creating a new war song. From this point, one could see just how incredible humans were.

Both Pier shamans and Helen might have made some substantial connections. They looked helplessly at Liu and then the young nun standing aside. The two Scepter Shamans stammered for a long while, but couldn’t form a coherent sentence.

Liu felt it was both depressing and ridiculous. After going around in circles, it turned out that there was such a relationship between St. Paul Church and Bimon Temple. Regarding the "Sacred Awakening" sacred song from the Angel’s Twelve Tones, it was clearly a verbose version of the "Spirit Communion Song", but why can’t priests use magic pets? The only thing Liu didn’t understand was this. Was it because priests rarely got the chance to be near magical beasts? Or they simply didn’t know they had this ability?

If human priests and Mother Theresa also bring magical pets along in battle, what would the consequences be? The more Liu thought about it, the more a waterfall-like sweat poured down his back. Even though Helen and the two Pier Shamans didn’t contemplate as much as he did, they were clearly filled with doubts.

The young nun was frowning, looking weirdly at the shamans who were foolishly inspecting her. Their gaze made her hair stand on end.

Liu discreetly whispered a few sentences in Helen’s ear, almost causing her to faint.